Two hunters, one victim, different motives, movie review Some dollars more.
I am a humble chef, however, I will try to formulate my head concerning the film, because it’s so dear to my heart.
If men by using a revolver gets off the train from the prologue of Sergio Leone’s film, then she must have something to say. The silent wanderer looks after a bitter story deep in her heart, his secret weighs heavily on his soul. However, even being sentimental in moments of relative solitude, the traveler is decisive, and in their eyes you can see the rage that has accumulated across the years. He’s not who he seems. The wanderer’s name is Douglas Mortimer, an ancient military man and now a bounty hunter. If viewers in the film listen to the words of an flabby old man chained to some bed (a funny grandpa appears closer on the center of the film), they are going to learn how the trains, these damned and noisy objects, are the culprit for everything. Alas, but earthly hardships are certainly not restricted to trains and Douglas Mortimer is comfortable with this, his problem contains bones, flesh and blood. The character, played by Lee Van Cleef, cherishes the soul with thoughts of revenge, but not merely revenge is the hub of your plot of Sergio Leone’s brainchild, because in addition to the retired colonel, you can find another hero inside film. Fast, accurate, discreet, another bounty hunter. No less than curious, but at most wildly interesting, particularly when the “one-armed” shooter is played by Bruce Lee in the field of Westerns – Clint Eastwood. It’s easy to estimate that the paths of Mortimer as well as nameless shooter will cross on a sunny day of the wild west. The spaghetti is definitely in the pot.
In A Few Dollars More, phrases such as “in 10-20 minutes you can be smoking in hell” or “you’ll need a new sheriff” are inevitable. The hero of Clint Eastwood is shown to be a shooter whose abilities will be relevant inside of a sci-fi novel, but the only thing that has been said can not be attributed for the disadvantages from the narrative. Including the most absurd moments inside the Western genre and in the skillful direction of Sergio Leone become salt for spaghetti, and the storyplot from the partnership between One-Handed and Colonel Mortimer tenaciously keeps viewers on the screens, which tend visited by such thoughts: ¬¬ “I wonder what can happen further? Will One-Armed and Colonel Mortimer find common ground? ” “Some dollars more” – shootings, chases, music of contributions, personifying the approaching of death, here satire, along with foolishness, lives next to each other with drama and ironically interpreted religious motives. And, finally, the tale shown by Sergio Leone will be the archetype of various paintings, where partnerships flow into friendship, though into some sort of friendship, on this friendship a buddy can shoot a friend while in the neck to make sure that he’s not killed through the thugs of one more boss. The fire is burning beneath the pan. The spaghetti actually starts to boil.
Sergio Leone’s tape is indeed a classic from the genre, and this is certainly easy to understand by the noise of bullets fired by the heroes, bank robberies along with the long glances that two shooters exchange prior to a decisive shot, that shot that decides human destiny. The creators not just draw attention to their creation (and they generally do it well), but in addition touch on burning topics using installments of the film, not afraid to scoff at corrupt politicians and cunning businessmen, using original script moves. Moreover, it is greater than interesting to observe a variety of Clint Eastwood and Lee Van Cleef – the heroes of the previous and new generation of westerns who, finding yourself in the wonderful pictures of Manco (One-armed) and Colonel Mortimer, now and continue to prove something to each other, competing while in the possessing a revolver and doing of sieve hats. Hmm, something’s heating up in the kitchen space, phew, you need to serve spaghetti for the table. Winnie, the attendees are waiting, hurry up, they may be hungry and have learned to taste Leone’s signature spaghetti. It’s difficult for an expressive chef to get the best helper these days. Spaghetti is served, but wait a moment, dear guests.
Undoubtedly, Sergio Leone within his “A Few Dollars More” demonstrates to the world of cinema the lion’s share of his talent and professionalism, and the image itself could be hypertrophied dominating before the first film of your trilogy, which attracted the attention with the expressive Akira Kurosawa. Ages later, Leone’s brainchild efforts to please numerous people, as well as film succeeds: those viewers who would like a dramatic story comprehend it, individuals who love shooting and duels are satisfied, and connoisseurs of satirical humor will probably be satisfied after watching. As for the music, you can speak briefly – Ennio Morricone. Dear listeners, perhaps I’m too excited, which makes my thoughts a little bit confused, but for those who watch a terrific film of my fellow countryman one or more times, you will end up convinced in the correctness of my words. However, I cannot hide my bias, I must say i love the stories concerning the shooters with the wild west, where there are two not the same bounty hunters chasing precisely the same victim, yet not the exact same motives. Oh, I almost forgot, season with spaghetti sauce and garnish with basil. Looks pretty good. Enjoy your meal!